http://www.naomiharwin.com/news daily 0.75 2020-04-02 http://www.naomiharwin.com/news/2018/3/1/float-showcase-interview monthly 0.5 2018-03-01 http://www.naomiharwin.com/news/2018/3/1/we-you-me-firstsite monthly 0.5 2018-03-01 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1519923786013-E77BZIS45M1HYHY2KSBS/WeYouMe_CharlieBryan_H40A1758_LRedit.jpg News - WE: You, Me - Firstsite WE: You, Me Firstsite, Colchester PV: Friday 13th October 6-9pm 14th October - 19th Novmeber http://www.naomiharwin.com/news/2018/3/1/an-invitation-to-travel-island-walk monthly 0.5 2018-03-01 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1519923147440-0201GWDT7Q1VIDGM86U6/Island+Walk+Postcard+image.jpg News - An Invitation to Travel: Island Walk Island Walk: Walk and Workshop exploring creative a social spaces for young people, Including sculptural installations. 23rd September 12 - 4 pm Holt Island, Church Street, St Ives Event create by Charlie Bryan and Naomi Harwin as part of An Invitation to Travel, an ACE funded project by Caroline Wendling and Sally Stenton http://www.naomiharwin.com/news/2017/3/30/swap-editions-editions-no-1-ad-hoc-launch-31st-march-2017 monthly 0.5 2017-03-30 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1490902378224-JTDMHVKGNQU5KTIK53J7/image-asset.jpeg News - SWAP Editions - Editions No. 1 AD HOC - Launch 31st March 2017 http://www.naomiharwin.com/news/2017/3/1/axisweb-artist-of-the-month-march-2017 monthly 0.5 2017-03-01 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1488402139630-JD43TL26IL6QDHLW6CAG/image-asset.jpeg News - Axisweb Artist of the Month, March 2017 http://www.naomiharwin.com/news/2016/10/13/upcoming-exhibition-in-between-things-17-19-november-norwich monthly 0.5 2016-10-13 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1476358640428-0HI7FDB4ZBDJ7H12D6GA/image-asset.jpeg News - Upcoming exhibition - in between things - 17-19 November, Norwich. http://www.naomiharwin.com/news/2015/5/3/new-studio monthly 0.5 2015-05-03 http://www.naomiharwin.com/news/2015/3/20/shades-of-yellow-group-show-april-22nd-25th-2015 monthly 0.5 2015-03-20 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1426891546403-C73KN2CFR0BFV1CNZZSC/image-asset.jpeg News - Shades of Yellow - Group show - April 22nd - 25th 2015 http://www.naomiharwin.com/news/2014/12/18/solo-exhibition monthly 0.5 2014-12-18 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1418941921975-GJJ00Z3TGQVW6CCV5NY5/image-asset.jpeg News - Solo Exhibition http://www.naomiharwin.com/news/2014/12/18/novembers-activities-airspace-gallery-graduate-residency monthly 0.5 2014-12-18 http://www.naomiharwin.com/news/2014/12/18/solo-show-crowdfunding-campaign-launch monthly 0.5 2014-12-18 http://www.naomiharwin.com/news/2014/12/18/graduate-residency-update-airspace-gallery monthly 0.5 2014-12-18 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exhibition examining the shared dialogues and playful methodical approaches towards rationalizing and engaging with forms, objects, and shapes in relation to spatiality. Drawing awareness towards a constant exchange of interactions, relations and interchangeable states of object-hood, the works are haptic and spatial things that acknowledge and negotiate their surrounding structures and the significance of the spaces between. https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483978243244-KKGFTDU03YHBJNP3S1IP/IMG_34790editweb.jpg in between things https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483971145912-33JC36PRPSTFKNUKVEBH/IMG_434782editweb.jpg in between things https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483968104467-9HNKTWSJ3CE4ZKVI9OU0/IMG_42594editweb.jpg in between things https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483969002724-FI2Q2O8TJNI0Q1O6QXKV/IMG_52663editweb.jpg in between things https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483970523340-DK6UJXLQWJGQVMFWV5DV/IMG_112804editweb.jpg in between things 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https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1491944273029-FZAH65BJ3DH3PTK30U07/IMG_4577+web.jpg SWAP Editions - Edition 1: AD HOC Image credit: Robin Tarbet https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1491944273802-ZX19VT3Z246QZ39WKWU6/IMG_4699+web.jpg SWAP Editions - Edition 1: AD HOC Image credit: Robin Tarbet https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1491944274253-SOFTWYV4ZL33EJRS2CZ2/IMG_4713+web.jpg SWAP Editions - Edition 1: AD HOC Image credit: Robin Tarbet https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1510841315195-4PP6BUZHCINX40YDEB50/Swap+edition+view+1web.jpg SWAP Editions - Edition 1: AD HOC At rest in 4 parts - sculptural kit https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1510841323684-LWFOADNKUUDJOYMBZ67W/swap+edition+view+3web.jpg SWAP Editions - Edition 1: AD HOC https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1510841323553-4O72HO5DZLB19B367PXO/swap+edition+view+4web.jpg SWAP Editions - Edition 1: AD HOC http://www.naomiharwin.com/to-be-an-object daily 0.75 2023-03-09 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586035309801-H0UEI1XPP11N2IO1I8KI/10829919-d00d-4069-a462-f58e7a9fbd99.JPG To be an object is to possess a boundary - In Personam x 1961 Projects https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022529522-CE8B7U6FMT7XIWKN8A1C/46d35660-9598-42f1-a7cc-0d133a783fa6.JPG To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022189900-WQ24M22239HUUOGQQUXH/image-asset.jpeg To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022283754-OVUZI5HLTX70SBYN430O/Snapseed+%282%29.JPG To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022286744-B9DPGNMUIU0YCO6JVHMV/Snapseed+%285%29.JPG To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022285914-NFPBAROGYBL53SJZA9T5/Snapseed+%284%29.JPG To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022667475-GFY24UAJMP68RMSOLQYN/7ABF70A4-AD0C-42C5-B139-113E45E536D9.JPG To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586035115700-Z5BVE5VZVVIQ0NON3M2O/d6fbea31-81a0-42f4-9f55-d85d9631fe3a.JPG To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586033106519-F3R5SDVWI88Q71A3RJYT/image-asset.jpeg To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586025951076-2O7XUOZXAW5YT2OSFRB7/_H3A9761.jpg To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586025949970-LYJAPOWPKKUPLNCEDLBH/_H3A9839.jpg To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586025956404-B9W6U8IHVSMY8FQNAGRE/_H3A9842.jpg To be an object is to possess a boundary - In Personam x 1961 Projects In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary http://www.naomiharwin.com/work daily 1.0 2024-02-21 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/ba6e381a-09c8-4673-accc-d49d3c1f919f/Northside+House+Publication.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422637738-8ACZMEJ6ZRU637S0BAPB/62EC3D0D-F3DD-4884-BC54-4274CBE61AA3.jpeg Work Northside House is a project between Hospital Rooms, Norwich University of the Arts (NUA), Norfolk and Suffolk NHS Foundation Trust (NSFT) and Arts Council England. Over the course of eleven months, a global pandemic and three national lockdowns, six artists led workshops with service users and staff which then informed the eight installations completed at Northside House, a medium secure forensic unit for men in Norfolk and Suffolk NHS Foundation Trust. https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422643110-ITB6OZ24EXAHKNBHG4D8/5A06D49D-9B68-473F-81DE-37BCBE850B16.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422647158-WLTZIIJYQ3HS5ZSITHR7/67446B5D-86C5-4D63-9DDE-39C4B906C0BF.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422650065-F3Q4WTC960566ISNKEDV/01326CF9-47AC-46A9-AE19-CF558759DAE2.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422654788-0A292JPQSZ89TQETVW2B/97557BCB-58ED-4CAD-A2F7-92AA945943BE.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422657546-CCL4134ZLOLFIK4GJRRZ/D3B77AC6-1E9A-49EC-AB30-984EA84FC26E.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422869414-YI39B94QBNOCG5GC3GOI/5CBA243C-5978-461B-93EC-EEB06D3E6307.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422877695-U5CEVWAG7703S4OXES4A/28A6F812-A831-4A45-8A88-2438B70DA4C9.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422878005-41ZZ44KJO45WBC4MENW8/CCFB6FE5-284A-4B9E-8335-37C50096E808.jpeg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622215109019-TUS91Q24ZRWVPL0CQE47/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-6.jpg Work - Encounter Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223364440-H926UIPGLL3JP34XZ0VE/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-20.jpg Work Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223744055-EYSL2OJNBSS6YFVJEAWD/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-28.jpg Work - Encounter installation detail Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223085442-LMDKUERDWUU4HOUJ41JY/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-14.jpg Work - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622222099754-MIMV74WGNL3KKOQXMIJV/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-10.jpg Work - Encounter install image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622218554062-1DOVV422ZR9F0GQ09P5S/Naomi-Harwin-Encounter-02.jpg Work - Encounter install image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622225293916-PLV91GOTQZ24C6339WOB/Naomi-Harwin-Encounter-12.jpg Work - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622225814552-Q2MKO77MY5IPX9C5UL04/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller.jpg Work - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622224169948-8KDXOVSW2T93FIM1ATQJ/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-31.jpg Work - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622224788273-AYDRLRLPQ381TMB9LLRM/Naomi-Harwin-Encounter-10.jpg Work - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223568563-U7SAVWFJ7X1D9KRKHQAB/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-24.jpg Work - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622219858529-BE6LHGOWR6GUXKNL8NGF/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-9.jpg Work - Encounter install image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622224924980-S5CKVU77XC1VJB0HQBYI/Naomi-Harwin-Encounter-11.jpg Work - Encounter mural image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022529522-CE8B7U6FMT7XIWKN8A1C/46d35660-9598-42f1-a7cc-0d133a783fa6.JPG Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022189900-WQ24M22239HUUOGQQUXH/image-asset.jpeg Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022283754-OVUZI5HLTX70SBYN430O/Snapseed+%282%29.JPG Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022286744-B9DPGNMUIU0YCO6JVHMV/Snapseed+%285%29.JPG Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022285914-NFPBAROGYBL53SJZA9T5/Snapseed+%284%29.JPG Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586022667475-GFY24UAJMP68RMSOLQYN/7ABF70A4-AD0C-42C5-B139-113E45E536D9.JPG Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586035115700-Z5BVE5VZVVIQ0NON3M2O/d6fbea31-81a0-42f4-9f55-d85d9631fe3a.JPG Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586033106519-F3R5SDVWI88Q71A3RJYT/image-asset.jpeg Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586025951076-2O7XUOZXAW5YT2OSFRB7/_H3A9761.jpg Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586025949970-LYJAPOWPKKUPLNCEDLBH/_H3A9839.jpg Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586025956404-B9W6U8IHVSMY8FQNAGRE/_H3A9842.jpg Work In Personam x 1961 Projects presents Naomi Harwin & Rizibë (2019) Singapore – 1961 Projects presents an exhibition of new works by artists Naomi Harwin (UK) and Rizibë (SG). Organised in collaboration with In Personam Custom Clothiers, the exhibition is the first in a series of satellite exhibitions held at the In Personam Custom Clothiers studio at OUE Downtown Gallery in the heart of the Central Business District in Singapore. Naomi Harwin exhibited a selection of spatial drawings and sculptural installations from her work To be an object is to possess a boundary https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691067254953-UQQP4J37BZ10K8K9V8GE/Becoming+Airborne+install+13.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691067257673-AOG1FINPVZ4ZB2KFICU8/Becoming+Airborne+install+16.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691067251406-HM8HMTCQWUMG0NYXEGJ5/Becoming+Airborne+install+10.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691067253116-1ETAI9OHF75AI73YUDZV/Becoming+Airborne+install+11.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691067253455-BES4ZOFFUEUT131ZDPE0/Becoming+Airborne+install+12.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691067195999-BBOJ3L7QH7ORN4GLH90L/Becoming+Airborne+detail+4.JPG Work 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Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066688334-OLPF0VSFANN1FMM01OMR/Becoming+Airborne+install+3.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066691836-Y2U21TQV5H1DFJQ7FCZC/Becoming+Airborne+install+1.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066690170-W3WFF3KAJ7YQU1D17120/Becoming+Airborne+detail+1.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066689530-G51YO07HG6159GVWYCWP/Becoming+Airborne+detail+2.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066798989-PAVWX45SMVDOFKIQ2PYQ/Bankley+exchanges+diagram+1.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066797051-RPH7EIJXV46446AJ5U5Q/Bankley+exchanges+diagram+2.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066796903-LG04R0MNAVK0YG14HVKL/Bankley+exchanges+install+1.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066802683-1YSJ6N0PAYD760K3C6E7/Bankley+exchanges+install+2.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066798908-6VCLFW5L7HGIN97RQR6K/Bankley+exchanges+instal+6.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066800809-AY4F35QMCXJEU4HIH42F/Bankley+exchanges+install+4.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066802599-33TNRH4BKUQ79O91WO8N/Bankley+exchanges+install+3.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1691066800842-OSYF1AVLOQUWTE50072W/Bankley+exchanges+install+5.JPG Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483968631628-AU5ELJ4GFTGMGWR7WNUX/IMG_622662editweb.jpg Work in between things (2016) Michaela D’Agati & Naomi Harwin An investigative exhibition examining the shared dialogues and playful methodical approaches towards rationalizing and engaging with forms, objects, and shapes in relation to spatiality. Drawing awareness towards a constant exchange of interactions, relations and interchangeable states of object-hood, the works are haptic and spatial things that acknowledge and negotiate their surrounding structures and the significance of the spaces between. https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483978243244-KKGFTDU03YHBJNP3S1IP/IMG_34790editweb.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483971145912-33JC36PRPSTFKNUKVEBH/IMG_434782editweb.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483968104467-9HNKTWSJ3CE4ZKVI9OU0/IMG_42594editweb.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483969002724-FI2Q2O8TJNI0Q1O6QXKV/IMG_52663editweb.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1483970523340-DK6UJXLQWJGQVMFWV5DV/IMG_112804editweb.jpg Work 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https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1422563030314-RN6EN26M8NIGKKJR6CJP/_MG_1505.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1430676266547-MJTSW8UKP4LEBAQ64PYG/*****.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1401026414659-ZTM960N5LSDLLYREJ8JE/IMG_1024-2.jpg Work https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1706793009244-CK4QBFWHO02RHUTXUEKK/MiddleMoments_Cover_NaomiHarwin.jpg Work http://www.naomiharwin.com/encounter daily 0.75 2023-08-02 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622215109019-TUS91Q24ZRWVPL0CQE47/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-6.jpg Encounter - Encounter Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622215109019-TUS91Q24ZRWVPL0CQE47/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-6.jpg Encounter - Encounter Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223364440-H926UIPGLL3JP34XZ0VE/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-20.jpg Encounter Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223744055-EYSL2OJNBSS6YFVJEAWD/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-28.jpg Encounter - Encounter installation detail Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223085442-LMDKUERDWUU4HOUJ41JY/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-14.jpg Encounter - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622222099754-MIMV74WGNL3KKOQXMIJV/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-10.jpg Encounter - Encounter install image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622218554062-1DOVV422ZR9F0GQ09P5S/Naomi-Harwin-Encounter-02.jpg Encounter - Encounter install image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622225293916-PLV91GOTQZ24C6339WOB/Naomi-Harwin-Encounter-12.jpg Encounter - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622225814552-Q2MKO77MY5IPX9C5UL04/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller.jpg Encounter - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622224169948-8KDXOVSW2T93FIM1ATQJ/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-31.jpg Encounter - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622224788273-AYDRLRLPQ381TMB9LLRM/Naomi-Harwin-Encounter-10.jpg Encounter - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622223568563-U7SAVWFJ7X1D9KRKHQAB/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-24.jpg Encounter - Encounter installation image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622219858529-BE6LHGOWR6GUXKNL8NGF/Naomi+Harwin_Wysing+Arts+Centre_Photo+Wilf+Speller-9.jpg Encounter - Encounter install image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1622224924980-S5CKVU77XC1VJB0HQBYI/Naomi-Harwin-Encounter-11.jpg Encounter - Encounter mural image Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design. Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object. Photos: Wilf Speller http://www.naomiharwin.com/hospitalrooms daily 0.75 2023-08-02 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422997164-JJJNHWPFDMUT5DCUK26V/7EC8D050-56F3-4C4E-8B0B-0311474405E0.jpeg Hospital Rooms - Northside House https://static1.squarespace.com/static/5310d155e4b08602cbfa3ccc/610bdc818f2a24634396d56d/610bddc8db21b87388a26980/1628167624584/ Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422637738-8ACZMEJ6ZRU637S0BAPB/62EC3D0D-F3DD-4884-BC54-4274CBE61AA3.jpeg Hospital Rooms - Northside House Northside House is a project between Hospital Rooms, Norwich University of the Arts (NUA), Norfolk and Suffolk NHS Foundation Trust (NSFT) and Arts Council England. Over the course of eleven months, a global pandemic and three national lockdowns, six artists led workshops with service users and staff which then informed the eight installations completed at Northside House, a medium secure forensic unit for men in Norfolk and Suffolk NHS Foundation Trust. https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422643110-ITB6OZ24EXAHKNBHG4D8/5A06D49D-9B68-473F-81DE-37BCBE850B16.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422647158-WLTZIIJYQ3HS5ZSITHR7/67446B5D-86C5-4D63-9DDE-39C4B906C0BF.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422650065-F3Q4WTC960566ISNKEDV/01326CF9-47AC-46A9-AE19-CF558759DAE2.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422654788-0A292JPQSZ89TQETVW2B/97557BCB-58ED-4CAD-A2F7-92AA945943BE.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422657546-CCL4134ZLOLFIK4GJRRZ/D3B77AC6-1E9A-49EC-AB30-984EA84FC26E.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422869414-YI39B94QBNOCG5GC3GOI/5CBA243C-5978-461B-93EC-EEB06D3E6307.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422877695-U5CEVWAG7703S4OXES4A/28A6F812-A831-4A45-8A88-2438B70DA4C9.jpeg Hospital Rooms - Northside House https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1637422878005-41ZZ44KJO45WBC4MENW8/CCFB6FE5-284A-4B9E-8335-37C50096E808.jpeg Hospital Rooms - Northside House http://www.naomiharwin.com/becoming-airborne daily 0.75 2023-08-02 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1690989447651-RX10O9ODYKON54PBCTK6/image-asset.jpeg Becoming Airborne: A daily attempt to stay grounded - Becoming Airborne: a daily attempt to stay grounded https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1690989447651-RX10O9ODYKON54PBCTK6/image-asset.jpeg Becoming Airborne: A daily attempt to stay grounded - Becoming Airborne: a daily attempt to stay grounded http://www.naomiharwin.com/contact daily 0.75 2023-05-04 http://www.naomiharwin.com/about daily 0.75 2024-12-11 http://www.naomiharwin.com/publications daily 0.75 2023-03-09 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/0c7b76cb-2add-4a55-a202-3bffc64c3c73/01_FrontCover.jpg Publications - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/ba6e381a-09c8-4673-accc-d49d3c1f919f/DSC_3998.jpg Publications - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.naomiharwin.com/finding-spaciousness daily 0.75 2023-08-02 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1690994344725-N32XCX5E0M24KNB6N5R9/Finding+spaciousness+frame.png Finding Spaciousness http://www.naomiharwin.com/hospital-rooms daily 0.75 2023-08-02 http://www.naomiharwin.com/collaborations-1 daily 0.75 2023-08-03 https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586118858741-Q7ZN5LNHXYABJ4PO8IA0/Like-Minded_CB_NH_8.jpg Collaborations - Like-minded ‘Like-Minded’ by Charlie Bryan and Naomi Harwin Like-Minded is a series of nine photographs, exploring the relationships between a photographers practice and an artists sculptural exploration. Each still life set up began with photographs by Charlie Bryan as an initial study, sculptures by Naomi Harwin were then selected in response to investigate and compliment the potential theme behind the photo(s). Each outcome within a frame is a considered collection of objects. https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586119076862-73WY3KS6U9T3OPCUFBSR/Like-Minded_CB_NH_6.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586119119777-YDOT56UI7LOM60YMCK07/Like-Minded_CB_NH_1.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586120672794-0QUE2B9B2LOHP1ZGWSWT/Like-Minded_CB_NH_4.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586120637893-GGIY5359P0671TVHBGHK/Like-Minded_CB_NH_2.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586120736165-PO6Y451I8TONZWYP4OAB/Like-Minded_CB_NH_5.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586119779166-OM1MIAVHQNB5P3K4GTFE/101B2345-EB87-40E3-89F9-37C86D69383F.jpg Collaborations - Minimal Zine Edition 001 feature Like-mined was featured in Minimal Zine Edition 001 (2018) https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1586119783097-OOI4J4AFC8Q3E70DA8Y6/DSC_9951.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1468357622608-UVALD1OZKRMP9HT9LUY0/H40A0616.jpg Collaborations Photo Credit: Charlie Bryan https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1468357712933-F5JOCK8WWH52PVZCQAVK/H40A0697.jpg Collaborations Photo Credit: Charlie Bryan https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1468357710110-TFK4WJECMJ22U28BXCL3/H40A0620.jpg Collaborations Photo Credit: Charlie Bryan https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1468357710282-FCCU1201JVJRKGCY2D0L/H40A0630.jpg Collaborations Photo Credit: Charlie Bryan https://images.squarespace-cdn.com/content/v1/5310d155e4b08602cbfa3ccc/1468357622608-UVALD1OZKRMP9HT9LUY0/H40A0616.jpg Collaborations http://www.naomiharwin.com/store daily 0.75 2024-07-24