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Encounter is a solo exhibition from artist Naomi Harwin, and Wysing Arts Centre's first presentation as part of a new programme strand, Test Space, which provides a public platform for Wysing’s studio artists to test out new ideas and directions.
Harwin continues her recent investigations into materiality and form to create an ambitious, immersive installation.
Repurposing collaging techniques for a 3D environment, Encounter employs abstracted photographs, drawings, sculptures, video and lighting making up multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. in this exhibition she presents a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation detail
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter install image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter install image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter installation image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter install image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller
Encounter mural image
Encounter (2020) a solo exhibition in Wysing Arts Centre's Test Space, was an immersive installation investigating materiality and form. Repurposing collaging techniques for a 3D environment, Encounter used abstracted photographs, drawings, sculptures, video and lighting to make up a multi-layered perspectives reminiscent of theatrical stage design.
Drawing on an interest in the mutability of objects and materials, Harwin employs techniques of drawing, photography, print and sculpture to translate and re-translate a source object into something entirely new. For this exhibition she presented a series of objects with ambiguous sources, referencing machine-made and corporeal forms in a deceptive interplay of line and form, surface and object.
Photos: Wilf Speller